She is known to be a pioneer of the “concrete art” in Austria and her works are outstanding examples of Op-Art and dynamic kinetics. Represented in major exhibitions of the 1960s she was prominently integrated into the program of Galerie nächst St. Stephan.
Whether graphic art, painting or sculpture, the skilled sculptor, student of Hans Knesls, never made a distinction. Her ”Beobachtungsobjekte” are hybrids, varying between genres. Their changeable appearance becomes accessible to the spectator only by means of psychological and intellectual interpretation.